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Old     (lfboarder)      Join Date: Nov 2001       08-14-2007, 7:34 PM Reply   
http://s75.photobucket.com/albums/i318/lfboarder13/?action=view&current=4thHouseboatHawaii460-1.flv
any adivce on how to improve
Old     (steve_jones)      Join Date: Jun 2006       08-14-2007, 8:27 PM Reply   
Looks fine but I always love to see grabs.

I would start working on your toeside cut so you can learn a toeside jump. Don't be the typical heelside hero!!
Old     (lfboarder)      Join Date: Nov 2001       08-15-2007, 12:06 PM Reply   
yeah ive been working on toeside w2w and land on the dip on the wake.
any more advice?
Old     (absoluteboarder)      Join Date: Aug 2002       08-16-2007, 5:37 PM Reply   
...you are edging in reverse...and not getting alot of pop considering the size of the wake. you are edging to fast at the beginning of your cut and then start letting off way before the wake. Try it in reverse by easing into it slowly then cranking it at the end...like you are currently doing at the beginning. in your video I can see the whole bottom of your board at the beginning then it goes flat ....we need to see the bottom of your board at the end of your cut right up the wake. Think like you want to cut the wake in half like a knife then straighten up just as you hit it.....you should feel like you are getting bucked in the air....right now your going over with alot of speed like its a ramp......which is okay on certain moves....but def,. wont give you the biggest pop.
Old     (brody)      Join Date: Jul 2006       08-16-2007, 9:51 PM Reply   
Yah what michael said. Take a easy TS cut out and then a big gradual turn into the wake. Edge harder and harder until you are at the bottom of the wake. Once at the bottom stand tall to get maximum pop. Once in the air try adding a stalefish, tailgrab, or indy, whatevers easiest for you (but make sure you learn all three, good base grabs). Land with your knees bent and absorb the shock.
Old     (lfboarder)      Join Date: Nov 2001       08-17-2007, 7:11 PM Reply   
ight thanks guys

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