Horns (HCLD's)are really cheap, there are a lot of sources for them. There are no moving parts other than an easily replaceable diaphragm. PA stuff is cheap compared to the superhyped "high end" car audio BS that everyone gets suckered into buying. I personally would not use stuff hyped by car audio types, the application is completely different. You could use whatever mid/HF driver you want, and use whatever horn lens fits your app. They are pieces that you purchase separately. Duane posted specs here for the parts he used for his first ones, I hope he doesn't mind me posting a link. Imitation is truly the sincerest form of flattery. On that note, I notice that Duane used a somwhat unusual horn lens that is pretty narrow compared to most PA types, his is roughly 6"x6", typical PA horns are 4"x10" or similar dimensions for wider dispersion to a wider audience. The tight dispersion pattern is very important IMHO for this app. Grant, I noticed that the ones you used are for very short, wide dispersion that is biased either left or right depending on horn orientation.
I would bet that you would have to do some tuning to calm down the "barkiness" of the horn, they can really hurt your ears at close range. You can "tune" the setup by putting in high current low resistance resistors in series with the speaker components to tone down some of the harshness. This is in addition to the crossover. Horns are by nature way too sensitive at certain freqs, cone speakers are not (as much) because the cones are not rigid. A badly tuned horn system will run people off QUICK.
Horns (HCLD) are nothing new, it is actually the oldest speaker technology. The dog listening to the owners voice on the RCA logo is listening to a horn. I know, probably too much info, but people talk about these things like they are black magic or something.
http://www.wakeworld.com/MB/Discus/messages/3183/79257.html